ZIMMERMAN X-MAS MEGA-MIX: Reel 7 (2021)

 
With everything going on this Winter holiday season (starting a new job and having a baby 2 weeks late with him due in mid-November and born in December), we weren't able to remotely collaborate with everyone on a holiday music video this year.  So I went back to the original format from years past, and did a new Holiday Mega-Mix Reel using archival materials from Christmas' past.  It features a lot of material from our last trip to to Metamora, IL in the Winter of 2019 (how fucking depressing is it that we haven't been back home since!?!).  Plus a plethora of flashback footage from the 80's, 90's, 00's, 10's, and now!  Iver and I also shot a new intro/outro bookend for this reel.  So that is a bit of an upgrade from the others that came before (Reel 1-6).  The last video of this kind was made in 2015 (which can also be viewed by clicking - REEL 6).  These are mostly home movie hodgepodged highlight reels but I will probably throw the rest up online in time as well.  For now check out the new one - REEL 7!

"FOOTLOOSE" (Holiday Music Video 2020)

In our follow-up to last Holiday Season's The Greatest Show music video, we bring you FOOTLOOSE!  Similar to last year, this one features all of our (My Wife & I's) siblings and their significant others - the shoots spanned over the course of the last 2 months in California (Sherman Oaks and Van Nuys), Illinois (Metamora, Germantown Hills, Peoria Heights, and Chicago), and Oregon (Portland).  It seems like a good way to socially distance shoot a project but honestly we used the exact same process last year.

Overall we ended up with more footage this year (2 hours more!), clocking in at over 7 hours of raw material for a song that is slightly over 5 minutes.  So the editing process was a little bit more time consuming.  Post-Production was carried out in Los Angeles and took over most of my December.  We finally locked and completed it at the break of dusk on Christmas Eve.  It premiered around 4pm that day.  No traveling home for the holidays this year.  So this video will have to spread all of our holiday cheer this season, with a punch!  Check it out HERE!

BEFORE THE STORM: 15th Anniversary

The movie that I co-directed with Levi Obery back in 2005, Before the Storm, is celebrating it's 15 Year Anniversary today!  If you are interested, it is still available for purchase on DVD, featuring a handful of Bonus Material.  Some of which, can currently been viewed on its official Facebook page.  You can also stream a new version of the movie, which was recently remastered HERE!

Baby Lord Of The Dance: Behind-the-Scenes

A few months ago we "released" a music video of my newborn baby "dancing" to a track from Lord of the Dance, which you can still view HERE.  We made it as a late Mother's Day/Early Father's Day gift for the Grandparents.  It was shot over the course of 3 nights in June and "released" soon thereafter.  I have just recently cut together a Behind-the-Scenes glimpse for it, which can now be viewed HERE!

8/18/18: Lydia & Connor Wedding Highlight Reel

We didn't plan on making a highlight reel for this Wedding but since we ended up shooting so much, it didn't make sense not to.  An extended Documentary version is in the works and will be released as Volume 7 in the Zim Home Video Wedding Collection later this year.  Photo above by Mishi Reyes.  Happy Anniversary Lydia + Connor!  Check out the trailer and then watch the highlight Reel HERE!

LOGO BEHIND-THE-SCENES: PART I (ZIM HOME VIDEO)

For the last few years I have sporadically been working on updated production logos for various "entities" within our movie making universe. We have created many production logos since we started making movies back in the 1990's.  So I thought it might be fun to look back at some of the old versions and then dig into the process of making the new ones.  The first to be discussed will be the Zim Home Video logo.  Zim Home Video was the name of our first production banner, and remained our primary for several years.  We often created co-production banner's as well when other people would be co-producing a project with us.  So we also have several off-shoot production banners that we have made as well.

The early versions of the logo were often simplistic. Usually they consisted of text on white paper or words appearing on a dry erase board. We made several different versions early on because at the time we didn't have the ability to edit anything. We were shooting our movies in scene order. So every time we made a new movie we had to shoot a new version of the logo at the start of the tape. This gave us the freedom to theme the logo to its given movie, which allowed for more creativity. A few of the Alternate Zim Home Video versions contained Magic Wands (In reference to my old Wanna-Be A Magician Days), a Mini Godzilla (A creature that was often used in our miniature city animations), and even Power Ranger's Zord toys (For our Kid Rangers movie).  In 1997/98 I produced a version which had the letters mold themselves out of a blue putty substance on my bedroom wall. This version of the logo was used for many projects over the course of several years. The next version was shot as live action - featuring me opening "The Movie Closet" door, raising a slate marked "Zim Home Video", and then clapping it.  This version of the logo was only used a few times.  I'd actually completely forgotten about it until I started digging in the archives for this post.

Around the year 2000, we rebranded the production side of things as Z3 Films Productions and Zim Home Video became solely our distribution arm.  Around this same time my friend and producing partner Levi Obery produced a few versions of the logo for us.  A few years later upon moving to Los Angeles I created a new version, which was black & white with TV glitches.

Now here we are, it's 2019 and while I was producing several other production logos (most of which will be discussed later in this series) I was inspired to revisit this logo.  This newest incantation is a conglomeration of several of the logos of the past.  The text has been hand painted.  The color scheme is based on the 2000's version, which was partially inspired by the very first version.  The VHS glitches homage the prior version and also our early days, when every movie was being shot on VHS.  The rest is just inspired magic.

Stay tuned for Part II: @LUNAREYLA!