With everything going on this Winter holiday season (starting a new job and having a baby 2 weeks late with him due in mid-November and born in December), we weren't able to remotely collaborate with everyone on a holiday music video this year. So I went back to the original format from years past, and did a new Holiday Mega-Mix Reel using archival materials from Christmas' past. It features a lot of material from our last trip to to Metamora, IL in the Winter of 2019 (how fucking depressing is it that we haven't been back home since!?!). Plus a plethora of flashback footage from the 80's, 90's, 00's, 10's, and now! Iver and I also shot a new intro/outro bookend for this reel. So that is a bit of an upgrade from the others that came before (Reel 1-6). The last video of this kind was made in 2015 (which can also be viewed by clicking - REEL 6). These are mostly home movie hodgepodged highlight reels but I will probably throw the rest up online in time as well. For now check out the new one - REEL 7!
Showing posts with label Zimmerman. Show all posts
Showing posts with label Zimmerman. Show all posts
Friday, December 24, 2021
ZIMMERMAN X-MAS MEGA-MIX: Reel 7 (2021)
Friday, December 3, 2021
REACHER: Premiering February 4th!
The second show that I worked on from home in lockdown last year, REACHER, is coming to Amazon Prime early next year. Check out the first trailer HERE!
Labels:
2021,
2022,
Amazon Prime,
Assistant Editor,
David Zimmerman III,
Hollywood,
Post Production,
Reacher,
Remote Work,
TV,
Zimmerman,
Zthree
Friday, December 25, 2020
"FOOTLOOSE" (Holiday Music Video 2020)
In our follow-up to last Holiday Season's The Greatest Show music video, we bring you
Overall we ended up with more footage this year (2 hours more!), clocking in at over 7 hours of raw material for a song that is slightly over 5 minutes. So the editing process was a little bit more time consuming. Post-Production was carried out in Los Angeles and took over most of my December. We finally locked and completed it at the break of dusk on Christmas Eve. It premiered around 4pm that day. No traveling home for the holidays this year. So this video will have to spread all of our holiday cheer this season, with a punch! Check it out HERE!
Labels:
@LUNAREYLA,
2020,
Editor,
Fuck 2020,
JTZProductions,
Mad Creative Works,
Phoolish Philms,
Post-Production,
Production,
Z3 Films,
Zimmerman,
Zthree
Location:
Los Angeles, CA, USA
Saturday, October 31, 2020
HAPPY HALLOWEEN 2020: "The Mailbox"
This years Halloween clip comes in the form of a short that we shot in 1999, called The Mailbox. Check it out HERE!
Wednesday, April 3, 2019
LOGO BEHIND-THE-SCENES: PART I (ZIM HOME VIDEO)

The early versions of the logo were often simplistic. Usually they consisted of text on white paper or words appearing on a dry erase board. We made several different versions early on because at the time we didn't have the ability to edit anything. We were shooting our movies in scene order. So every time we made a new movie we had to shoot a new version of the logo at the start of the tape. This gave us the freedom to theme the logo to its given movie, which allowed for more creativity. A few of the Alternate Zim Home Video versions contained Magic Wands (In reference to my old Wanna-Be A Magician Days), a Mini Godzilla (A creature that was often used in our miniature city animations), and even Power Ranger's Zord toys (For our Kid Rangers movie). In 1997/98 I produced a version which had the letters mold themselves out of a blue putty substance on my bedroom wall. This version of the logo was used for many projects over the course of several years. The next version was shot as live action - featuring me opening "The Movie Closet" door, raising a slate marked "Zim Home Video", and then clapping it. This version of the logo was only used a few times. I'd actually completely forgotten about it until I started digging in the archives for this post.
Around the year 2000, we rebranded the production side of things as Z3 Films Productions and Zim Home Video became solely our distribution arm. Around this same time my friend and producing partner Levi Obery produced a few versions of the logo for us. A few years later upon moving to Los Angeles I created a new version, which was black & white with TV glitches.
Now here we are, it's 2019 and while I was producing several other production logos (most of which will be discussed later in this series) I was inspired to revisit this logo. This newest incantation is a conglomeration of several of the logos of the past. The text has been hand painted. The color scheme is based on the 2000's version, which was partially inspired by the very first version. The VHS glitches homage the prior version and also our early days, when every movie was being shot on VHS. The rest is just inspired magic.

Stay tuned for Part II: @LUNAREYLA!
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